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M153 Competition design for the Glasgow International Exhibition 1901

Address: Kelvingrove Park, Glasgow
Date: 1898
Client: Glasgow International Exhibition Association
Authorship:

(Mackintosh)

Colour photograph of design for Industrial Hall for 1901 Glasgow International Exhibition

Main entrance to Industrial Hall, 1898

Colour photograph of design for N. elevation of Industrial Hall for 1901 Glasgow International Exhibition

Detail of N. elevation of Industrial Hall, 1898

Colour photograph of drawing of section through Industrial Hall for 1901 Glasgow International Exhibition

Section through dome of Industrial Hall, 1898

Industrial Hall: detail of towers flanking entrance, 1898

Colour photograph of design for S. end of W. elevation of Industrial Hal for 1901 Glasgow International Exhibition

Industrial Hall: S. end of W. elevation, 1898

Colour photograph of design for S. elevation of Grand Hall for 1901 Glasgow International Exhibition

S. elevation of rectangular proposal for Grand Hall, 1898

Colour photograph of design for E. and W. elevations of rectangular proposal for Grand Hall for 1901 Glasgow International Exhibition

E. and W. elevations of rectangular proposal for Grand Hall, 1898

Colour photograph of design for cross section of rectangular proposal for Grand Hall for 1901 Glasgow International Exhibition

Cross section of rectangular proposal for Grand Hall, 1898

Colour photograph of design for circular proposal for concert hall for 1901 Glasgow International Exhibition

Plan, section and elevation of circular proposal for concert hall, 1898

Colour photograph of design for front elevation of bar and dining room for 1901 Glasgow International Exhibition

Front elevation of bar and dining room, 1898

Colour photograph of design for bridge for 1901 Glasgow International Exhibition

Plan, section and elevation of bridge, 1898

'Mackintosh Architecture' led by The Hunterian, University of Glasgow, funded by the Arts and Humanities Research Council; with additional support from The Monument Trust, The Pilgrim Trust, and the Paul Mellon Centre for Studies in British Art; and collaborative input from Historic Scotland and the Royal Commission on the Ancient and Historical Monuments of Scotland.